Arnold Schönberg an C. F. Peters Corp.
31. August 1949
Los Angeles 24, California.
August 31, 1949.
President
New York 19, N.Y.
Dear Mr. Hinrichsen:
It is a long time since I have heard from you, and
it is also a long time since you have heard from me. I
don’t know what have been your reasons for not writing to
me. But mine are these: I am frequently sick and can then
not work very much; in spite of this I still work very much
in order to finish urgent business.
it is also a long time since you have heard from me. I
don’t know what have been your reasons for not writing to
me. But mine are these: I am frequently sick and can then
not work very much; in spite of this I still work very much
in order to finish urgent business.
Thus I could not proceed in writing the new version of my
“Five Orchestra Pieces Op. 16“[.], which is very bad. Because,
not only were there a number of performances in Europe,
(Frankfurt, Darmstadt etc.) but probably on account of mis-
sing orchestral parts, many might have failed to take place.
“Five Orchestra Pieces Op. 16“[.], which is very bad. Because,
not only were there a number of performances in Europe,
(Frankfurt, Darmstadt etc.) but probably on account of mis-
sing orchestral parts, many might have failed to take place.
I am afraid, in the near future I will not be able to make
this reduction for standard symphony orchestra for which a
new copyright could be acquired. For this reason I want to
make a suggestion: I have a pupil, Mr. Richard Hoffmann from
New Zealand, who is able, under my supervision and according
to my suggestions, to change this score into a form, reduced
to standard orchestra size, which also will facilitate the
performance.
this reduction for standard symphony orchestra for which a
new copyright could be acquired. For this reason I want to
make a suggestion: I have a pupil, Mr. Richard Hoffmann from
New Zealand, who is able, under my supervision and according
to my suggestions, to change this score into a form, reduced
to standard orchestra size, which also will facilitate the
performance.
The first question is now: – are you ready to print this new
score and to make the necessary changes in the parts. The
second question is: – shall the copyright be taken in Mr Hoff-
mann’s, in my, or in Peter’s name. The third question is:
concerns a fee to be paid, (not royalties) to Mr Hoffmann;
the forth question is: – what will be my share, which in this
case should reemburse me for the great loss I suffered by
neglecting to take out a copyright, and for my part in super-
vising the reduction – – – and, after all, I am the author.
score and to make the necessary changes in the parts. The
second question is: – shall the copyright be taken in Mr Hoff-
mann’s, in my, or in Peter’s name. The third question is:
concerns a fee to be paid, (not royalties) to Mr Hoffmann;
the forth question is: – what will be my share, which in this
case should reemburse me for the great loss I suffered by
neglecting to take out a copyright, and for my part in super-
vising the reduction – – – and, after all, I am the author.
I am anxious to hear your opinion about this as soon as pos-
sible, especially because of the great publicity which my
works might enjoy now, on account of my 75th birthday throughout
the world.
sible, especially because of the great publicity which my
works might enjoy now, on account of my 75th birthday throughout
the world.
I am with cordial greetings,
Sincerely yours,
R.H.August 31, 1949.
Dear Mr. Hinrichsen:
It is a long time since I have heard from you, and
it is also a long time since you have heard from me. I
don’t know what have been your reasons for not writing to
me. But mine are these: I am frequently sick and can then
not work very much; in spite of this I still work very much
in order to finish urgent business.
Thus I could not proceed in writing the new version of my
“Five Orchestra Pieces Op. 16“, which is very bad. Because,
not only were there a number of performances in Europe,
(Frankfurt, Darmstadt etc.) but probably on account of missing orchestral parts, many might have failed to take place.
I am afraid, in the near future I will not be able to make
this reduction for standard symphony orchestra for which a
new copyright could be acquired. For this reason I want to
make a suggestion: I have a pupil, Mr. Richard Hoffmann from
New Zealand, who is able, under my supervision and according
to my suggestions, to change this score into a form, reduced
to standard orchestra size, which also will facilitate the
performance.
The first question is now: – are you ready to print this new
score and to make the necessary changes in the parts. The
second question is: – shall the copyright be taken in Mr Hoffmann’s, in my, or in Peter’s name. The third question
concerns a fee to be paid, (not royalties) to Mr Hoffmann;
the forth question is: – what will be my share, which in this
case should reemburse me for the great loss I suffered by
neglecting to take out a copyright, and for my part in supervising the reduction – – – and, after all, I am the author.
I am anxious to hear your opinion about this as soon as pos-
sible, especially because of the great publicity which my
works might enjoy now, on account of my 75th birthday throughout
the world.
I am with cordial greetings,
Sincerely yours,
R.H.31. August 1949
The Library of Congress
Washington, D.C.
Music Division
Arnold Schoenberg Collection
Washington, D.C.
Music Division
Arnold Schoenberg Collection
Brief, Durchschlag
Zitierhinweis:
Arnold Schönberg an C. F. Peters Corp., 31. August 1949, in: Arnold Schönberg: Briefwechsel mit C. F. Peters. Hrsg. von Florian Giering. Version 1.0 vom 02.04.2025. URL: https://schoenberg-peters.at/cfp/letters/letter.5160.